Over ninety minutes of music ranging from chilling and disturbing to ethereal and warm, emotionally gripping to totally heavy, we’re so proud of our work and grateful to Drew Daywalt for pairing our sound with his intelligent, intense, beautifully filmed, scare-the-pants-off-you style of horror. Yes, there will be a soundtrack CD as well as some free digital downloads, which we’ll share with you when the series goes public.

Needless to say, when Drew invited us to score his next indie project, we jumped at the chance to work with him again!

And so begins our 2010. We’re especially excited to share this short film with you because it will give you a very good idea of what lies ahead with CAMERA OBSCURA.

We hope you enjoy SUICIDE GIRL!
The language is NSFW, and the film might make you afraid of the dark.

-G9 and NiNi

SUICIDE GIRL Makes Horror Headlines:
@ FEARnet
@ TheHorrorGeek.com
@ BloodyDisgusting.com
@ ShockTillYouDrop.com
@ DreadCentral.com

In the meantime, here’s some crunchy little nuggets of CAMERA OBSCURA goodness to tide you over… enjoy!
-NiNi + G9

CAMERA OBSCURA TRAILER:

Camera Obscura Trailer from MWG Entertainment on Vimeo.

CAMERA OBSCURA SET VISIT & REAL GHOST STORIES:

Camera Obscura: Drew Daywalt set tour from Bender / Helper Impact on Vimeo.

[ More Monsters at FEARnet.com ] [ More Exclusive Set Photos at Dread Central ]

And finally, this week, we can show you a little CAMERA OBSCURA, because sneak peeks of the series have started rolling out at some great sites, so enjoy the features below. Although this teaser video will give you a hint of how the series is looking, the music in the teaser is not by CORVO. Nope, you’ll have to wait until the actual episodes begin airing to hear OUR demons, so… stay tuned, because we’ll keep you posted as we get closer to the October premiere!

A MOTHER of a Scene from CAMERA OBSCURA:
[ E-News Subscribers, click on this link to watch the video ]

Camera Obscura: teaser from MWG Entertainment on Vimeo.

In each exclusive below, is a different set of behind-the-scenes images!

• [ FEARnet Exclusive Interview with Director Drew Daywalt ]
• [ FEARnet Exclusive - Great Creature Pix ]
• [ DreadCentral.com Exclusive - Jack Klugman and More Pix ]
• [ Exclusive CAMERA OBSCURA - Creepy Hospital and Set Pix ]

^v^ + <3,
NiNi + G9

The scoring process for Drew Daywalt’s webseries CAMERA OBSCURA has begun! It’s been an exhausting but satisfying first week, and the music for episodes 1 through 3 is now complete. We can’t reveal many details about what’s happening onscreen during these opening chapters, but we can say that you’ll get to hear a new CORVO track titled “Where” [written and sung by NiNi] in Episode 1, as well as some creepy dark ambient compositions by G9 and a surprise performance that reveals NiNi’s inner Beelzebub.

Studio photos will probably be posted within the next week, including the recording of “Where,” G9 surrounded by his weapons of weirdness in the newly revamped Crow’s Nest, and some other odds and ends. Video footage from the studio may also be popping up in a future update, beginning with some revealing footage of “studio kittehs” Batty and Wylee practicing their own variety of forced shiatsu.

Inspirational visuals have been playing round the clock during this weekend’s recording sessions, including EVIL DEAD II, DEADTIME STORIES and the first season of THE ADDAMS FAMILY.

The series will be launching very soon (in plenty of time for Halloween), and we can’t wait to see the finished product!

G9 + NiNi

[DOWNLOAD CORPUS CORVI MP3]

Okay, so we can’t give too much away about the work we’ve done so far on the CAMERA OBSCURA score, but it won’t be naughty to tell you that we’re definitely getting in touch with our “ancient primal” sides these days.

This is NOT a CAMERA OBSCURA track, but a little something we conjured up in preparation for the series. It all began as an experiment with new percussive elements we’d planned on using, and then, as always around here, a twisted fairytale evolved from the music, which then became a video, which then became a piece of digital art.

The story behind the song involves a sensual, Lovecraftian, “Raven Cult” called The Corpus Corvi, and the woman you see is the High Priestess. The visuals were definitely inspired by Dario Argento’s LA TERZA MADRE, and musically, we were both inspired by the ravens constantly flapping their wings in our skulls. It is our hope that this will make your imaginations run a little wild with ours, and if not… well, that our weird little stories will at least entertain you!

-NiNi + G9

CORVO has been hired to score CAMERA OBSCURA, the new web series from Emmy-nominated filmmaker Drew Daywalt. Drew is well known among horror fans as one of the founders of Fewdio, a collective of experienced Hollywood insiders who have been creating award-winning short horror films for the web – and now on DVD (their first disc NIGHTMARE HOUSE made its debut at this summer’s San Diego Comic Con).

Slated to launch next month, the 17-episode series revolves around a young woman (Reagan Dale Neis) who inherits some strange artifacts from her late grandfather (Jack Klugman – yes, THAT Jack Klugman!), a crime-scene photographer. One is a magical camera capable of capturing the images of ancient, demonic creatures who prey on humans, and the other is a “scrapbook” in which he kept the creatures imprisoned in photographic form. When she unwittingly destroys the book, the demons are released, and… well, let’s just say that the script alone had us sleeping with the lights on for more than a few nights.

This is major news for us, because we’re not just licensing a song or two, but composing and performing the score for the entire series!

Post-production is now underway, and the recording process officially began – appropriately enough – on 09/09/09. Expect some studio updates from The Crow’s Nest very soon!

G9 + NiNi

With G9′s music and NiNi’s voice – speaking instead of singing, this time – as well as NiNi’s graphic illustrations and editing, the supernaturally sexy world of hard-edged heroine, Liz Phoenix has come to life in a video that NiNi says was “visually inspired by the films 300, Watchmen, and a little bit of Grindhouse: Planet Terror.”

“I also see the two MEN in my life as they REALLY are: a shape-shifting witch, and a half-vampire that’s turning bat-shit-evil! I STILL don’t know whether to kiss or kill them.”
~Liz Phoenix, DOOMSDAY CAN WAIT Video

For you bookworms in Corvo’s Murder – we know there’s quite a few of you – we’d like to say rather objectively that The Phoenix Chronicles is a fascinating series with “Revelationary” characters and creatures [Revelations + revolutionary = Revelationary!] that we’re sure you’d love to meet. The books kept our imaginations, dark art, and romantic horror rock music alive, kicking…and definitely biting!

To learn more about the series, shape-shift on over to Lori’s website. We hope you enjoy the video! Press the little “HQ” button before you hit “play” to see it in high quality and hear it in stereo!
xxx,
NiNi + G9,
Corvo

[+YouTube Favorites]
[The Chamber Door Podcast Enclosure]

Two of my favorite Wendigo films include the appropriately-titled Wendigo, and The Last Winter, both creations of indie master of horror, Larry Fessenden. Each film is very different, but the similarities send shivers down the spine, with settings in the dead of winter, characters and plots each trapped in a hellish wilderness of isolation and sub-zero darkness. Both films are also chilling cautionary tales. Wendigo may make people think a bit more carefully about killing animals and owning guns, while the more recent The Last Winter may make Sarah Palin abruptly end her campaign cry of “drill baby drill.”

Although the black comedy-horror Ravenous isn’t “marketed” as a Wendigo film, the bitter cold winters and presence of Native American characters and mythology are just the tip of the iceberg. Robert Carlyle’s frightening depiction of the immortal and crazed colonial cannibal embodies everything about the Wendigo spirit, therefore, I now officially declare Ravenous to be one of my favorite Wendigo films. The human flesh stew and biscuits is really what did it for me. And if you really want to devour the Wendigo spirit [had to get a "devour" in there!], after you’ve seen the film, if you’re a huge horror movie score addict like G9 and myself, Michael Nyman’s Ravenous: Original Motion Picture Soundtrack is utterly creeptastic. Listen to it while you dive into a bowl of beef stew… and if you’re a vegetarian… well, this would be one of those times you’ll be especially glad for it!

Many people associate the Wendigo with werewolves, so another great icy-hearted monster film is Ginger Snaps Back – The Beginning. The last film released in the toothy-trilogy, Ginger Snaps Back: The Beginning is actually a prequel, delving into the past lives of the sisters, and the roots of their Wendigo-werewolf bloodlines. I’m not one to like prequels too much, but Ginger Snaps Back: The Beginning had the biggest bite out of the Snaps “entrees,” and it remains one of my favorite horror films of all time. Similar to Ravenous, Snaps is a period piece with Native American mythology [and one of my favorite Native American characters ever to grace the screen], set in the colonial era, except this time, in bitter cold Canada. Come to think of it, I’m going to watch Snaps and Ravenous back-to-back for my Wendigo WinterHorrorPalooza lineup.

Now then, this may be a bit of a stretch, but since the Wendigo mythology embodies many monster types, including cannibals [check!], werewolves [check!], and devils that possess all who dream about the creature, I officially declare The Shining an honorary Wendigo film. Not only does its frosty mountainous setting provide a perfect backdrop of the Wendigo mythos, the way in which the isolation of winter seems to be the catalyst of Jack’s madness makes it the perfect embodiment of the creature through demonic possession… and let’s be honest here: had the story continued any longer, don’t you think that Jack would have eventually eaten his family once the food ran out? No bones about it! Okay, okay, if you’re reluctant to declare The Shining a Wendigo film along with me, let’s consider it Stanley Kubrick’s twisted rendition of “Jack Frost” and call it a snow-day.

Finally, the Wendigo has recently been categorized by cryptozoologists as a family member to the Big Foot/Sasquatch beasts. The difference being that Wendigo roams in extreme Northern lands and snowy mountainous climates, so! To round out my Wendigo WinterHorrorPalooza, I shall add ***the tale to my lineup that celebrates my biggest “aha” revelation about the monster: This guy is definitely a Wendigo! —>

***The tale to which I refer, of course, is the one I most looked forward to seeing on network television year after Holiday year: Rudolph the Red-Nosed Reindeer!

More Talk of Winter MonsterFests:

[ The Weather Outside Isn't the Only Thing That's Frightful ]
[ Snowbound Horror ]
[ Final Girl: brrr ]

Has TV brought any great “monster families” to our homes since the ’60s-era Addams Family and Munsters? Anyone? I myself will have to think about that one and get back to you. Or maybe I should be working on a TV pilot script! What kind of “monster family” would you want to see on 21st Century Television? Not too long ago, we at The Crow’s Nest completed The Addams Family DVD collection, and this week, moved on to collecting The Munsters. Busier than hell [and hell's working overtime these days], we don’t have much time for TV anymore, so TV series DVDs tend to be “drool in front of the telly” material for us… usually at 3 or 4am. And of course with Corvo, the monster, the merrier!

It’s been wicked-fun watching both shows again as if for the first time, caught up in many “aha” moments that were most certainly missed through childhood eyes. Of course, with the Addams’, it’s all about sex. It’s amazing how coming of kinky-kooky-spooky age puts a whole new spin on a gleeful reference to “the rack” between a darkly amorous husband and wife. With The Munsters, the “aha” moments arise out of being a total horror nerd now, which I couldn’t have been at a young age, because my parents were a bit overprotective. To be fair, they were cool enough to let me watch Creature From the Black Lagoon in 3D, but that was about it for childhood horror… my horror geekdom really didn’t start until junior high, when I was able to sneak away to slumber parties that involved lots of snacks, lots of ’80s crap slasher films, and rampaging in grave yards in night gowns [that's a whole other blog entry]. Ah yes, the good ol’ days when Clive Barker’s hellraising seduced me and Wes Craven’s nightmares made me fear our friendly neighborhood Elm Street. But I digress. Now that I’m all “horror growed up,” I watch The Munsters and think, so many Universal Monsters, so little time! Hey, why didn’t I ever appreciate the raven clock [voiced by Mel Blanc aka Bugs Bunny]?! And lots of Hollywood pop culture references in general that I wouldn’t have quite understood at the time, including the rights to use a Beatles song ["I Wanna Hold Your Hand"] in season one, when a rock band uses the haunted homestead as a party crash pad, and then it turns into “open mic night” with the town beatniks.

As an adult viewer, I feel a sort of… irony of the eras when I watch The Addams Family and The Munsters. That the very things that tend to frighten conservative people now, were actually disarming during “The Pleasantville Era.” The families’ strangeness, fashion sense included, was disarming and charming, rather than alarming to mainstream, prim-and-proper audiences. I often wonder what some people must have felt at a deeper level while laughing at the fiendish families’ reckless abandon, gleeful irreverence, open sexuality and acceptance of “fringe” people, like beatniks, Bohemians and rock stars… hell, The Addams’ invited Russians into their home! This was during the Cold War! *gasp* Did some people wish that they could be so bold and brave, and so effortlessly? I have a feeling I would have.

While reveling in the strange, macabre, yet innocent world-view of the families and feeling both shocked and disarmed, did some “Ward and June” types feel a little wistful? On the inside, did they kind of wish that mom had more of a “say” in the family, and that kids could be treated like little adults, and that uncles could light up a room with their mouths, and that “honey, let’s build a ‘honeymoon torture chamber’ to spice up the bedroom” could be freely suggested? Did they understand just how much The Munsters and Addams Family poked fun of their “vanilla” lives, or was it just another sitcom? In a sense, looking at it now with an analytical view and as one that works in art and in television, it feels like these shows were “crossroads shows” that depicted a shift in some people that were brave enough to go against a conservative tide and start pursuing a path that wasn’t quite up to “Ward and June” standards. [Fuck The Cleavers, right]?

I’d always considered myself more of an Addams Family enthusiast than a Munster-maniac, but I’ve gotta say, I really underestimated the intelligence of The Munsters. Make no bones about it, The Munsters will always be the more slapstick-y of the two, but at the black heart of the show, there’s some pretty clever stuff in there, if you look for it. What I enjoy most about The Munsters now is that they shot the show on The Universal lot, and being a Universal show, they [of course] were able to cash in on the Universal Monsters franchise, from sets to characters, which I wouldn’t have recognized as a kid. So from time to time, you’ll see a couple of members of “the family” stop by, like The Creature From the Black Lagoon and The Wolfman. It was also interesting to watch the pilot episode of The Munsters. The original Lilly Munster looked a hella lot like Morticia Addams [pretty smokin' hot], and the show was actually more mean-spirited in its original concept, with Eddie acting more like Cujo, and Herman and Lilly relating to each other like Fred and Ethel rather than Lucy and Ricky. It would have grown annoying really fast, and the powers that be were smart to play it fun, lighthearted and naive… but again, if you look for it, there’s more sharp writing in there than you’d think, most often tailor-made for the ever-biting delivery of the brilliant Al Lewis as Grandpaw.

It seems to me that both shows accomplished what great macabre art, horror and comedy always tend to accomplish: find the pulse of a new social heartbeat and bring it home in sarcastic, sardonic, satirical layers…even today, The Addams Family and The Munsters are a breath of fresh air to watch, and with each viewing as an adult, I have so much fun being a monster-loving kid again.

Happy Friday the 13th!
<3 + ^v^
-NiNi + G9 [Corvo]

1. There is an International Association of Exorcists? It was founded in 1993, it’s very difficult to become a member [damn darn damn], and there’s an annual conference held every year. In 2004, 500 members attended the conference held in Mexico. [Fly-on-the-wall-powers, *activate!* Shape of: a fly. Form of: a spy.]

2. Italian is The Devil’s Tongue.
“I speak with the devil every day. I talk to him in Latin. He answers in Italian. I have been wrestling with him, day in day out, for 14 years.” -Father Gabriel Amorth, World-Famous Exorcist [Italian? I thought for sure it would be something more romantic, like... oh I dunno, Dagonese? What, you've reserved that language for me alone, oh Infernal One? Ia! Ia! Kutulu Zi Kur!]

3. Not necessarily a piece of demonic trivia-nuggetry, but quite possibly one of the best article names I’ve ever read, ever: SO YOU WANT TO PERFORM AN EXORCISM: HERE IS WHAT IT TAKES

4. Exorcists will not be out of jobs any time soon. Again, feeling a bit bummed that it’s so difficult to join the *IAE. [*Abbreviation = I'm all savvy and insider-y about exorcists professional exorcists now].

5. Hell is in Michigan. This means that Hell freezes over at least one season a year.

And now, I leave you with a final demonic image. While frolicking about the interwebs searching for a deeper understanding of exorcism and demonic possession [with great Monster Mondays comes great responsibility], I found it in black-and-white. Google’s *deal* with You-Know-Who [yes, Yahoo and Satan] for world domination revealed through Ad Sense [Is that a yes or no question?]

“I speak with the devil every day. I talk to him in Latin. He answers in Italian. I have been wrestling with him, day in day out, for 14 years.” -Father Gabriel Amorth, World-Famous Exorcist